compiled by Max Peter Baumann

Articles are presented in alphabetical order by authors' names (Book and CD Reviews are not included).

A
Adamo, Giorgio: "The Archivi de Etnomusicologia at the Accademia Nazionale di Santa Cecilia, Rome." the world of music 37, 1995(2):124-6.

Adriaansz, Willem: "Music and Tradition of the Edo Period." the world of music 20, 1978(2):69-75.

Alaszewska, Jane: “Edo Traditions on the 'Islands of Exile':” The Narrative Ballads of the Southern Izu Islands.” the world of music 46, 2004(2):99-121.

Alaszewska, Jane and Gen’ichi: Tsuge: “Preface.” [Japenese Musical Traditions]. the world of music 46, 2004(2):7.

Allgayer-Kaufmann, Regine: “From the Innocent to the Exploring Eye: Transcription on the Defensive,” the world of music 47, 2005(2):71-86.

Alvarez-Pereyre, Frank and Simha Arom: "Ethnomusicology and the Emic/Etic Issue." the world of music 35, 1993(1):7-33.

Alvarez-Pereyre, Frank and Simha Arom: "The Holistic Approach to Ethnomusicological Studies." the world of music 28, 1986(2):3-13.

Ambrazevičius, Rytis: “The Perception and Transcription of the Scale Reconsidered: Several Lithuanian Cases,” ,” the world of music 47, 2005(2):32-53.

Amir, Dorit: "Understanding The Role of Folksongs in Jewish-Israeli Culture: Implications for Music Therapy." the world of music 39, 1997(1):111-28.

Amman, Raymond: "How Kanak is Kaneka Music? The Use of Traditional Percussion Instruments in the Modern Music of the Melanesians in New Caledonia." the world of music 40, 1998(2):9-28.

Anon.: "Institute of Slovene Ethnology/Department of Ethnomusicology." the world of music 32, 1990(1):117-9.

Anon.: "Le Département d'ethnomusicologie du Musée de l'Homme et l'Equipe de recherche no 165 du C.N.R.S." the world of music 30, 1988(2):100-3.

Anon.: "Troisième Tribune de Musique de 1'Amérique Latine et des Caraibes (TRIMALCA)." the world of music 28, 1986(1):120-1.

Anon.: "World Decade for Cultural Development Launched." the world of music 30, 1988(2):116 9.

Ansaloni, Paolo: "The Acoustic Dynamics of Bridges of Bowed Instruments. An Outline of Comparative Instrument-Making." the world of music 24, 1982(1):35-56.

Arom, Simha: "The Constituting Features of Central African Rhythmic Systems: A Tentative Typology." the world of music 26, 1984(1):51-67.

Arom, Simha: "New Perspectives for the Description of 0rally Transmitted Music." the world of music 23, 1981(2):40-62.

Arom, Simha and Frank Alvarez-Pereyre: "Ethnomusicology and the Emic/Etic Issue." the world of music 35, 1993(1):7-33.

Arom, Simha & Frank Alvarez-Pereyre: "The Holistic Approach to Ethnomusicological Studies." the world of music 28, 1986(2):3-13.

Arozarena Pierre: "Notes on Some Mossi Drums of Upper Volta." the world of music 23, 1981(1):26-34.

Atanasov, Vergilij: "Children's Musical Instruments and Musical Playthings in Bulgaria." the world of music 29, 1987(3):68-85.

Aubert, Laurent: "The Swiss Folkloric Masks." the world of music 22, 1980(1):53-71.

Austerlitz, Paul: "Local and International Trends in Dominican merengue." the world of music 35, 1993(2):70-89.

Astrauskas, Rimantas and Dalia Urbanaviciene: “Department of Ethnomusicology, Lithuanian Academy of Music and Section of Ethnomusicology at the Institute of Musicology, Lithuanian Academy of Music.” the world of music 44(3), 2002:163-5.

Averill, Gage: "Bell Tones and Ringing Chords: Sense and Sensation in Barbershop Harmony." the world of music 41, 1999(1):37-51.

Avorgbedor, Daniel: "Dee Hoo! Sonic Articulations in Healing and Exorcism Practices of the Anlo-Ewe." the world of music 42, 2000(2):9-24.

Avorgbedor, Daniel: “Preface.” the world of music 45, 2003(3):7-10.

Ayyangar, Ranganayaki: "Composition in South Indian Music." the world of music 20, 1978(2):136-9.

Azevedo, Luis Heitor Correa de: "Music and Musicians of African Origin in Brazil." the world of music 24, 1982(2):53-65.

Azevedo, Luis Heitor Correa de: "Preliminary Study on the Project of Preparing a Universal History of Music and on the Role of the Music of Latin America and the Caribbean in this History." the world of music 22, 1980(3):56-65.

B
Bachmann-Geiser, Brigitte: "The Musical Instruments Used During the Zurich 'Schulsilvester.'" the world of music 29, 1987(3):47-67.

Bhagwati, Sandeep: “Stepping on the Cracks, Or, How I Compose with Indian Music in Mind,” the world of music 45, 2003(2):113-24.

Bahat, Avner: "The Musical Traditions of the Oriental Jews." the world of music 22, 1980(2):46-58.

Bahat Avner & Noémi Bahat: "Some Notes on Traditional Scriptural Reading Hand Movements as a Source to the Dance of the Yemenite Jews." the world of music 23, 1981(1):20-5.

Baily, John: "Filmmaking as Musical Ethnography." the world of music 31, 1989(3):3-20.

Baily, John: "Afghan Perceptions of Birdsongs." the world of music 39, 1997(2):51-60.

Baily, John: "Music and the Body." the world of music 37, 1995(2):11-30.

Baily John: "Professional and Amateur Musicians in Afghanistan." the world of music 21, 1979(2):46-64.

Baily, John, and Peter Driver: "Spatio-Motor Thinking in Playing Folk Blues Guitar." the world of music 34, 1992(3):57-71.

Bamberger, Jeanne and Evan Ziporyn: "Getting It Wrong." the world of music 34, 1992:22-56.

Bareis, Urban and Jane Bowers: "Bibliography on Music and Gender - Women in Music." the world of music 33, 1991(2):65-103.

Barendregt, Bart: "Recording Review Essay: Sounds from the Indonesian Archipelago; Musical Monographs, Common Themes and New Contexts." the world of music 41, 1999(3):171-5.

Barney, Katelyn: “Sending a Message: How Indigenous Australian Women Use Contemporary Music Recording Technologies to Provide a Space for Agency, Viewpoints and Agendas,” the world of music 49, 2007(1):105-124.

Bartmann, Manfred: "Spotlights on Festival History and Communication: Folk Legends Work on the Great Hits of Rock and Popular Music. " the world of music 43, 2001(2-3):193-206.

Barz, Gregory F.; Cooley, Timothy J.; Wong, Deborah; Lysloff, René T. A.; Kertész-Wilkinson, Irén; Lortat-Jacob, Bernard: "Review Symposium: Shadows in the Field: New Perspectives for Fieldwork in Ethnomusicology, ed. Gregory F. Barz and Timothy J. Cooley." the world of music 40, 1998(3):181-199.

Barz, Gregory F.: "Musicking the World's Religions: Whose Music? Whose Religion? A Review Essay: Lawrence E. Sullivan, ed. Enchanting Powers: Music in the World's Religions." the world of music 42, 2000(2):137-45.

Barz, Gregory: “Soundscapes of Disaffection and Spirituality in Tanzanian Kwaya Music,” the world of music 47, 2005(1):5-30.

Bashir, Mounir: "Musical Planning in a Developing Country: Iraq and the Preservation of Musical Identity." the world of music 20, 1978(1):74-8.

Bastos, Rafael José de Menezes: "Apùap World Hearing: On the Kamayurá Phono-Auditory System and the Anthropological Concept of Culture." the world of music 41, 1999(1):85-96.

Bastos, Rafael José de Menezes: Music in Lowland South America: A Review Essay." the world of music 39, 1997(2):143-51.

Baumann, Gerd: "Music and Dance: The Royal Road to Affective Culture?" the world of music 37, 1995(2):31-42.

Baumann, Gerd: "The Re-Invention of bhangra. Social Change and Aesthetic Shifts in a Punjabi Music in Britain." the world of music 32, 1990(2):81-97.

Baumann, Max Peter: “From the Editior.” the world of music 49, 2008(3):5-6.

Baumann, Max Peter: "Festivals, Musical Actors and Mental Constructs in the Process of Globalization." the world of music 43, 2001(2-3),9-29.

Baumann, Max Peter: "Folk Music Revival: Concepts Between Regression and Emancipation." the world of music 38, 1996(3):71-86.

Baumann, Max Peter: Listening as an Emic/Etic Process in the Context of Observation and Inquiry." the world of music 35, 1993(1):34-62.

Baumann, Max Peter: "Listening to Nature, Noise and Music." the world of music 41, 1999(1):97-111.

Baumann, Max Peter: "Music of the Indios in Bolivia's Andean Highlands (Survey)." the world of music 24, 1982(2):80-98.

Baumann, Max Peter: "Preface." [Special Topic: Local Musical Traditions in the Globalization Process] the world of music 42, 2000(3):5.

Baumann, Max Peter: "Preface." [Special Topic: Folk Music in Public Perfromance] the world of music 43, 2001(2-3):7-8.

Baumann, Max Peter: "Preface: Hearing and Listening in Cultural Context." the world of music 39, 1997(2):3-8.

Baumann, Max Peter: "Preface: Mental Constructs of Identification and Authenticity in the Discourse of Folk Music Preservation and Cultivation in Bavaria." the world of music 41, 1999(2):7-11.

Baumann, Max Peter: "Preface: Music and Healing in Transcultural Perspectives." the world of music 39, 1997(1):5-9.

Baumann, Max Peter: "The Local and The Global: Traditional Musical Instruments and Modernization." the world of music 42, 2000(3):121-44.

Baumann, Max Peter. "The Musical Performing Group: Musical Norms, Tradition, and Identity." the world of music 31, 1989(2):80-113.

Baumann, Max Peter: "The Reflection of the Roma in European Art Music." the world of music 38, 1996(1):95-138.

Beaudry, Nicole: "The Language of Dreams: Songs of the Dene Indians (Canada)." the world of music 34, 1992(2):72-90.

Becker Judith: "'Aesthetics' in Late 20th Century Scholarship." the world of music 25, 1983(3):65-80.

Becker, Judith: "Listening Selves and Spirit Possession." the world of music 42, 2000(2):25-50.

Becker, Tim & Woebs, Raphael: "'Back to the Future‘: Hearing, Rituality and Techno." the world of music 41, 1999(1):59-71.

Béhague, Gérard: "Folk and Traditional Music of Latin America: Ceneral Prospect and Research Problems." the world of music 24, 1982(2):3-21.

Béhague Gérard: "Musical Change: A Case Study from South America." the world of music 28, 1986(1):16-28.

Béhague Gérard: "Some Liturgical Functions of Afro-Brazilian Religious Music in Salvador, Bahia." the world of music 19, 1977(3/4):4-23.

Béhague Gérard: "South American Masked Dances: an Overview." the world of music 22, 1980(1):23-38.

Bellenger, Xavier: "An Introduction to the History of Musical Instruments in the Andean Countries: Ecuador, Peru and Bolivia." the world of music 24, 1982(2):38-52.

Benamou, Marc: “Comparing Musical Affect: Java and the West.” the world of music 45, 2003(3):57-76.

Bender, Wolfgang: "African Music Archive, Johannes Gutenberg-University, Mainz." the world of music 36, 1994(2):155-7.

Bendrups, Dan: “Easter Island Music and the Voice of Kiko Pate: A Biographical History of Sound Recording,” the world of music 49, 2007(1):125-141.

Binas, Susanne: "Youth Subcultures are Dead? — On the Cultural Logic of the 'Generation Z' and the Consequences for Music Educational Concepts." the world of music 42, 2000(1):125-36.

Blacking, John: "Can Musical Universals be Heard?" the world of music 19, 1977(1/2):14-29.

Blacking, John: "Identifying Processes of Musical Change." the world of music 28, 1986(1):3-15.

Blacking, John: "Musicians in Venda." the world of music 21, 1979(2):18-38.

Blaukopf, Kurt: " Legal Policies for Safeguarding of Traditional Music: Are they Utopian?" the world of music 32, 1990(1):125-33.

Blaukopf, Kurt: "The Sociography of Musical Life in Industrialised Countries - A Research Task." the world of music 21, 1979(3):78-86.

Blazecovic, Zdravko: "A Bibliography of Writings on Music and Music Research in Croatia Published in Languages Other Than Croatian." the world of music 40, 1998(3):113-80.

Blum, Stephen: "On the Disciplines and Arts of Music." the world of music 29, 1987(1):19-32.

Bohlman, Philip V.: "Missionaries, Magical Muses, and Magnificent Menageries: Image and Imagination in the Early History of Ethnomusicology." the world of music 30, 1988(3):5-27.

Boiko, Martin: "The Latvian Folk Music Movement in the 1980s and 1990s: From “Authenticity” to “Postfolklore” and Onwards." the world of music 43, 2001(2-3):113-8.

Boiko, Martin: “Baltic and Balts: On the History of Notions and the Question of Baltic Regionalism” the world of music 44(3), 2002:7-19.

Boiles, Charles: "Universals of Musical Behaviour: A Taxonomic Approach." the world of music 26, 1984(2):50-65.

Bor, Joep with Jane Harvey and Huib Schipper: "International Society for Taditional Arts Research (ISTAR), Nederland." the world of music 31, 1989(1):117-9.

Bornoff, Jack: "The IMZ - 25 Years at the Service of Music (a Survey)." the world of music 28, 1986(3):112-7.

Both, Arnd Adje: “Aztec Music Culture.” the world of music 49, 2007(2): 91-104.

Both, Arnd Adje and Sanchez, Julia L. J. : “Preface.” the world of music 49, 2007(2):7-9.

Bowers, Jane and Urban Bareis: "Bibliography on Music and Gender - Women in Music." the world of music 33, 1991(2):65-103.

Brandes, Edda: "The Role of the Female Ethnomusicologist in the Field: Experiences in Traditional Algerian Communities." the world of music 33, 1991(2):35-49.

Brandl, Rudolf M.: "The 'Yiftoi' and the Music of Greece. Role ancl Punction." the world of music 38, 1996(1):7-32.

Brandstetter, Gabriele: "Ritual as Scene and Discourse: Art and Science Around 1900 as Exemplified by Le Sacre du printemps." the world of music 40, 1998(1):37-60.

Brennan, Brennan, Vicki L.: "Chamber Music in the Barn: Tourism, Nostalgia, and the Reproduction of Social Class." the world of music 41, 1999(3):11-29.

Brinner, Ben: "Cognitive and Interpersonal Dimensions of Listening in Javanese Gamelan Performance." the world of music 41, 1999(1):19-35.

Bröcker, Marianne: "Folk Dance Revival in Germany." the world of music 38, 1996(3):21-36.

Brook, Barry S.: "Master Plan for the Implementation of the World Inventory of Sources of Music Information." the world of music 22, 1980(1):138-44.

Brook, Barry S.: "Part II - Master Plan for the Implementation of the World Inventory of Sources of Music Information." the world of music 22, 1980(2):69-74.

Brook, Barry S.: "Part III - Master Plan for the Implementation of the World Inventory of Sources of Music Information." the world of music 22, 1980(3):84-8.

Brook, Barry S. & David Bain: "Music in the Life of Man: Theoretical and Practical Foundations for a World History." the world of music 26, 1984(2):120-36.

Brook, Barry S. & David Bain: "Musik im Leben des Menschen: Theoretische und praktische Grundlagen für eine Weltgeschichte." the world of music 26, 1984(3):94-123.

Brook, Barry S. & David Bain: "World Mussc, World Xistory, and the Music in the Life of Man Project." the world of music 27, 1985(1):111-5.

Brown, Ernest D. "The Guitar and the mbira: Resilience, Assimilation, and Pan-Africanism in Zimbabwean Music." the world of music 36, 1994(2):73-117.

Browning, Robert H.: "The World Music Institute." the world of music 31, 1989(3):115-7.

Buckley, Ann: "Professional Musicians, Dancing and Patronage: Continuity and Change in a Transylvanian Community." the world of music 36, 1994(3):31-48.

Burckhardt, Yvonne: "Die Internationale Musikerföderation." the world of music 26, 1984(2): 137-43.

Burckhardt Qureshi, Regula: "In Search of Begum Akhtar: Patriarchy, Poetry, and Twentieth-Century Indian Music." the world of music 43, 2001(1):97-137.


C
Casano, Steven: From Fuke Shuu to Uduboo: “The Transnational Flow of the Shakuhachi to the West,” the world of music 47, 2005(3):17-33.

Canzio, Ricardo: Review Essay: The Power of Singing versus the Construction of a People's Music—Trebinjac, Sabine. Le pouvoir en chantant 1: L'art de fabriquer une musique chinoise." the world of music 43, 2001(2-3):230-6.

Catlin, Amy: "Puzzling the Text: Thought-Songs, Secret Languages, and Arachaic Tones in Hmong Music." the world of music 39, 1997(2):69-82.

Cellier, Claude; Daniélou, Alain & André Rudelski: "A New Electronic Instrument for Musical Research: The S 52." the world of music 23, 1981(2):63-73.

Ceribašic, Naila: "Folklore Festivals in Croatia: Contemporary Controversies." the world of music 40, 1998(3):25-50

Chabrier, Jean-Claude: "New Developments in Arabian Instrumental Music." the world of music 20, 1978(1):94-109.

Chambers, Ian: “Some Notes on Neapolitan Song: From Local Tradition to Worldly Transit.” the world of music 45, 2003(3):23-27.

Charry, Eric: "The Grand Mande Guitar Tradition of the Western Sahel and Savannah." the world of music 36, 1994(2):21-61.

Chaudhuri, Shubha: "Archives and Research Centre for Ethnomusicology of the American Institute of Indian Studies (ARCE)." the world of music 34, 1992(3):150-3.

Cheng Shui-Cheng: "The 'Anti-Music' Theory of the School of Mozi." the world of music 23, 1981(1):14-9.

Cheng Shui-Cheng: "Permissions and Prohibitions Concerning the Playing of the Ch'in." the world of music 21, 1979(1):81-9.

Cheng Shui-Cheng: "The Role of the Traditional Musician in China." the world of music 21, 1979(2):85-95.

Chernoff, John: "'Hearing' in West African Idioms." the world of music 39, 1997(2):19-26.

Chopyak, James D.: "Hearing and Seeing in the Electronic Age: Preliminary Comparisons Between Malaysia and California." the world of music 39, 1997(2):27-40.

Chou Wen-Chung: "A Visit to Modern China." the world of music 20, 1978(2):40-4.

Chrétien, Annette: "Under the Double Eagle: From Military March to Métis Miziksharing." the world of music44, 2002(1):95-114.

Christensen, Dieter: “Obituary: Linda Kiyo Fujie, 1953-2002.“ the world of music 44, 2002(2):7-8.

Christensen, Dieter: "The Center for Ethnomusicology at Columbia University, New York, NY." the world of music 40, 1998(3):211-2.

Christoff, Dimiter: "A Personal Statement: As the Tenth Anniversary of the IMC's International Composer's Workshop Approaches." the world of music 27, 1985(2):100-7.

Claus-Bachmann, Martina: "Cultural Identity and Educational Possibilities in Humanistic Studies." the world of music 42, 2000(1):13-24.

Claus-Bachmann, Martina: “Jataka Narrations as Multimedial Reconstructive Embodiments of the Mental System Buddha Shakyamuni.” the world of music 44, 2002(2):115-34.

Claus-Bachmann, Martina: “Kuveni, or the Curse of a Woman as Flash Point for Music-oriented (Re)Constructions.” the world of music 48, 2004(3):14-36.

Claus-Bachmann, Martina: "Preface." the world of music 42, 2000(1):7-12 [Gothic, Metal, Rap, and Rave].

Claus-Bachmann, Martina and Paul Greene: “Preface”. the world of music 48, 2004(3):7-13.

Cohen, Judith: "Constructing a Spanish Jewish Festival: Music and the Appropriation of Tradition." the world of music 41, 1999(3):85-113.

Conlon, Paula: "The Native American Flute: Convergence and collaboration as exemplified by R. Carlos Nakai." the world of music 44, 2002(1):61-74.

Cook, Nicholas: “Reviews-Essay: Improvisation. Bruno Nettl with Melinda Russel (eds.), In the Course of Performance: Studies in the world of musical Improvisation,“ the world of music 45, 2003(2):154-61.

Cook, Pat Moffitt: "Sacred Music Therapy in North India." the world of music 39, 1997(1):61-84.

Cooke, Peter: "Was Ssempeke Just Being Kind? Listening to Instrumental Music in Africa South of the Sahara." the world of music 41, 1999(1):73-83.

Cooke, Peter & Francis Ratamba: "Ssematimba ne Kikwabanga: The Music and Poetry of a Ganda Historical Song." the world of music 29, 1987(2):49-68.

Cooke, Peter: “Response to ‘Echoes of Our Forgotten Ancestors’.” the world of music 48, 2006(2):93-100.

Cooley, Timothy J.: "Folk Festival as Modern Ritual in the Polish Tatra Mountains." the world of music 41, 1999(3): 31-55.

Cooley, Timothy J.; Wong, Deborah; Lysloff, René T. A.; Kertész-Wilkinson, Irén; Lortat-Jacob, Bernard; Barz, Gregory F.: "Review Symposium: Shadows in the Field: New Perspectives for Fieldwork in Ethnomusicology, ed. Gregory F. Barz and Timothy J. Cooley." the world of music 40, 1998(3):181-199.

Crowdy, Denis: “Studios at Home in the Solomon Islands: A Case Study of Homesound Studios, Honiara,” the world of music 49, 2007(1):143-154.

Crowe, Peter: " Dancing Backwards?" the world of music 32, 1990(1):84-98.

Cross, Ian: “Four Issues in the Study of Music in Evolution.” the world of music 48, 2006(3):55-63.

Crook, Larry N.: "Black Consciousness, samba reggae, and the Re-Africanization of Bahian Carnival Music in Brazil." the world of music 35, 1993(2):90-108.

Cunningham, James E.: „The Nammys Versus the Grammys: Celebrity, Technology, and the Creation of an Indigenous Music Recording Industry in North America,” the world of music 49, 2007(1):155-170.

Cvetko, Dragotin: "Historical Relations Between Musical Folklore and Art Music in Yugoslavia." the world of music 25, 1983(2):17-32.


D
Daniélou, Alain: "Ethical and Spiritual Values in Music." the world of music 22, 1980(2):3-10.

Daniélou, Alain": "Symbolism in the Musical Theories of the Orient." the world of music 20, 1978(3):24-37.

Daniélou, Alain; Cellier, Claude & André Rudelski: "A New Electronic Instument for Musical Research: The S 52." the world of music 23, 1981(2):63-73.

Dannemann R., Manuel: "Autochthonous Musical Culture in Chile." the world of music 26, 1984(1):68-77.

Dannemann R., Manuel: "The Musical Traditions of the Indigenous Peoples of Chile." the world of music 19, 1977(3/4):104-20.

Davidson, Lyle and Bruce Torff: "Situated Cognition in Music." the world of music 34, 1992(3):120-39.

Davies, Nollene: "The Guitar in Zulu maskanda Tradition." the world of music 36, 1994(2):118-137.

Davis, Ruth: "The Effects of Notation on Performance Practice in Tunisian Art Music." the world of music 34, 1992(1):85-114.

Dawe, Kevin: "Roots Music in the Global Village: Cretan Ways of Dealing with the World at Large." the world of music 42, 2000(3): 47-66.

Delorenzi-Schenkel, Silvia: "Children's Music of Greece." the world of music 29, 1987(3):28-46.

DeVale, Sue Carole and I Wayan Dibia: " Sekar Anyar: An Exploration of Meaning in Balinsese gamelan." the world of music 33, 1991(1):5-51.

DeWitt, Mark F.: "Heritage, Tradition and Travel: Louisiana French Culture Placed on a California Dance Floor." the world of music 41, 1999(3):57-83.

DeWoskin, Kenneth J.: "Philosophers on Music in Early China." the world of music 27, 1985(1):33-47.

Deschênes, Bruno: “The Interest of Westerners in Non-Western Music,” the world of music 47, 2005(3):5-16.

Diamond, Beverly: "Native American Contemporary Music: The Women." the world of music 44, 2002(1):11-39.

Diamond, Beverly: “‘Allowing the Listener to Fly as They Want to’: Sámi Perspectives on Indigenous CD Production in Northern Europe,” the world of music 49, 2007(1):23-48.

Dibia, I Wayan and Sue DeVale: " Sekar Anyar: An Exploration of Meaning in Balinsese gamelan." the world of music 33, 1991(1):5-51.

Diehl, Gunther: "'...the fleeting association in a flash of inspiration': On the Dimension of Aesthetic Intensity in Music-Related Expressive Forms of Youth Culture." the world of music 42, 2000(1):111-24.

Diettrich, Brian: “Across All Micronesia and Beyond: Innovation and Connections in Chuukese Popular Music and Contemporary Recordings,” the world of music 49, 2007(1):65-81.

Doliner, Gorana: "Traditional Church Singing in Kraljevica (Croatia): The Work of Lujza Kozinovic." the world of music 33, 1991(2):50-64.

Douglas, Gavin: “The Sokayeti Performing Arts Competition of Burma/Myanmar: Performing the Nation.” the world of music 45(1), 2003:35-54.

Dudley, Shannon: “Creativity and Control in Trinidad Carnival Competitions.” the world of music 45(1), 2003:11-33.

During, Jean: "Acoustic Systems and Metaphysical Systems in Orienta1 Traditions." the world of music 29, 1987(2):19-31.

During, Jean: "Hearing and Understanding in the Islamic Gnosis." the world of music 39, 1997(2):127-38.

During, Jean: "Music, Poetry and the Visual Arts in Persia." the world of music 24, 1982(1):72-88.

During, Jean: "Revelation and Spiritual Audition in Islam." the world of music 24, 1982(3):68-84.

During, Jean: "The 'Imaginal' Dimension and Art of Iran." the world of music 19, 1977(3/4):24-44.


E
Ellingson, Ter: "Indian Influences in Tibetan Music." the world of music 24, 1982(3):85-93.

Ellis, Catherine J.: "Introduction. Powerful Songs: Their Placement in Aboriginal Thought." the world of music 36, 1994(1):3-20.

El-Mallah, Issam: "The Oman Center for Traditional Music." the world of music 33, 1991(1):109-11.

Elschek, Oskár: "Film and Video in Ethnomusicological Research." the world of music 31, 1989(3):21-37.

Elschek, Oskár: "Folklore Festivals and their Current Typology." the world of music 43, 2001(2-3):153-69.

Elschek, Oskár: "Research on Stylistic Areas of Slovak Instrumental Folk Music." the world of music 38, 1996(3):51-70.

Elscheková, Alica: "Functions and Transformational Processes of Central European Wedding Songs." the world of music 39, 1997(3):31-50.

Elsner, Jürgen: "Listening to Arabic Music." the world of music 39, 1997(2):111-26.

Emigh, John: "Masking and Playing: Observations on Masked Performance in New Guinea." the world of music 23, 1981(3):5-25.

Emoff, Ron: "Clinton, Bush, and Hussein in Madagascar." the world of music 42, 2000(2):51-73.

Emsheimer, Ernst: "On the Symbolism of the Lapp Magic Drum." the world of music 19, 1977(3/4):45-61.

Erlmann, Veit.: "A Conversation with Joseph Shabalala of Ladysmith Black Mambazo. Aspects of African Performers' Life Stories..." the world of music 31, 1989(1):31-58.

Erlmann, Veit: "The Politics and Aesthetics of Transnational Musics." the world of music 35, 1993(2):3-15.

Evarts, John: "The First Thirty Years of the IMC." the world of music 30, 1988(3):131-8.


F
Fales, Cornelia: "Acoustic Intuition of Complex Auditory Phenomena by 'Whispered inanga' Musicians of Burundi." the world of music 37, 1995(3): 3-35.

Farhat, Hormoz: "Form and Style in Persian Music." the world of music 20, 1978(2):109-18.

al Faruqi, Lois Ibsen (Lamya'): "The Mawlid." the world of music 28, 1986(3J:79-89.

al Faruqi, Lois Ibsen: "Ornamentation in Arabian Improvisational Music." the world of music 20, 1978(1):17-32.

al Faruqi, Lois Ibsen: "The Suite in Islamic History and Culture." the world of music 27, 1985(3):46-66.

Fichte, Tobias: "'...don't you thinks this could become a new kind of cantata?' Rituality, Authenticity and Stage-Setting in Mendelssohn's Walpurgisnacht." the world of music 40, 1998(1):119-34.

Focht, Josf: "Denominational Roots of Swabian Amateur Music-making." the world of music 41, 1999(2):123-36.

Frey, Heike: "Traditional Urban Entertainment in Bavaria: The Volkssänger as Exemplified by Bally Prell." the world of music 41, 1999(2):99-122.

Fujie, Linda: "'Draw the Chords of Union Stronger': The Musical Life of the American Shakers." the world of music 35, 1993(3):51-79.

Fujie, Linda: "Japanese Taiko Drumming in International Performance: Converging Musical Ideas in the Search for Success on Stage." the world of music 43, 2001(2-3):93-101.


G
Gansemans, Jos: " Ethnomusicologie au Musée Royal de l'Afrique Centrale (MRAC)." the world of music 28, 1986(3):101-2.

Garofalo, Reebee: "Whose World, What Beat: The Transnational Music Industry, Identity, and Cultural Imperialism." the world of music 35, 1993(2):16-32.

Gay, Leslie C.: "Hearing is Seeing: Listening for New York Rock Musicians." the world of music 41, 1999(1):9-17.

Gen’ichi, Tsuge: “Coercively Standardized or Not: Romanization Systems of the Japanese Language in Music Literature.” the world of music 46, 2004(2):137-43.

Ghrab, Anas: “Occident and Intervals in ‘Arabic Music,’ from the Eighteenth Century to the Cairo Music Congress,” the world of music 47, 2005(3):55-79.

Gligo, Nikša: "Why Do We Like Symphonic Kolo? National Coloring and Its Articulation Through Folklore-based Idioms." the world of music 40, 1998(3):99-112.

Goertzen, Chris: “Galax, Virginia’s “Old Fiddlers Convention”: The Virtues and Flaws of a Giant Fiddle Contest.“ the world of music 45(1), 2003:133-47.

Goodman, Linda J.: "Aspects of Spiritual and Political Power in Chiefs' Songs of the Makah Indians." the world of music 34, 1992(2):23-42.

Gottheim, Vivian I.: "Bumba-meu-boi, a Musical Play from Maranhao." the world of music 30, 1988(2):40-68.

Gottlieb, Robert: "Musical Scales of the Sudan as Found Among the Gumuz, Berta, and Ingessana Peoples." the world of music 28, 1986(2):56-76.

Gourlay, Renneth A.: "The Non-Universality of Music and the Universality of Non-Music." the world of music 26, 1984(2):25-39. 1

Grau, Andrée: "Dance as Part of the Infrastructure of Social Life." the world of music 37, 1995(2):43-59.

Grauer. Victor A.: “Echoes of Our Forgotten Ancestors.” the world of music 48, 2006(2):5-59.

Grauer, Victor A.: “‘Echoes of Our Forgotten Ancestors’—Author’s Reply.” the world of music 48, 2006(2):101-34.

Grauer, Victor A.: “Echoes of Our Forgotten Ancestors: Some Points of Clarification.” the world of music 48, 2006(3):9-12.

Ziporyn, Evan and Jeanne Bamberger: "Getting It Wrong." the world of music 34, 1992:22-56.

Grebe, Maria Ester: "Relationships between Musical Practice and Cultural Context: The Kultrún and its Symbolism." the world of music 20, 1978(3):84-106.

Greene, Paul D.: “Sounding the Body in Buddhist Nepal: Neku Horns, Himalayan Shamanism, and the Transmigration of the Disembodied Spirit.” the world of music 44, 2002(2):93-114.

Greene, Paul D: “Preface: Body and Ritual in Buddhist Musical Cultures.” the world of music 44, 2002(2):9-16.

Greene, Paul D. ;Howard, Keith; Miller, Terry E.; Nguyen, Phong T. and Tan, Hwee-San: "Buddhism and the Musical Cultures of Asia: A Critical Literature Survey." the world of music 44, 2002(2):135-75.

Griebel, Armin: "Forschungsstelle für fränkische Volksmusik / Research Center for Franconian Folk Music, Simmershofen." the world of music 41, 1999(2):192-3.

Griebel, Armin: "The Discovery of Franconian Folk Song." the world of music 41, 1999(2):159-67.

Groemer, Gerald: "The Rise of 'Japanese Music'. ” the world of music 46, 2004(2):9-33.

Grosser, Sabine: “Changing Worlds: Music, Women, and Fine Arts in Postcolonial Sri Lanka: A Postmodern/critical Reading of Four Sri Lankan Art Works with Female Authors Relating to the world of music.” the world of music 48, 2004(3):101-19.

Grupe, Gerd: “Notating African Music: Issues and Concepts,” the world of music 47, 2005(2):87-103.

Guilbault, Jocelyne: "On Redefining the 'Local' Through World Music." the world of music 35, 1993(2):33-47.

Guizzi, Febo: "The Continuity of the Pictorial Representation of a Folk Instrument's Playing Technique: The Iconography of the 'tamburello' in Italy." the world of music 30, 1988(3):28-58.

Gummow, Margaret: "The Power of the Past in the Present: Singers and Songs from Northern Neww South Wales." the world of music 36, 1994(1):42-50.

Gunderson, Frank: “Preface.” the world of music 45(1), 2003:7-10.

Guo Wenjing,: “Traditional Music as Material,” the world of music 45, 2003(2):125-6.

Gutzwiller, Andreas: "The Shakuhachi of the Fuke-Sect: Instrument of Zen." the world of music 26, 1984(3):53-65.


H
Härtel, Hermann: "The Styrian Volksliedwerk / Das Steirische Volksliedwerk." the world of music 39, 1997(1):129-30.

Hagedorn, Katherine J.: "Bringing Down the Santo: An Analysis of Possession Performance in Afro-Cuban Santería." the world of music 42, 2000(2):99-113.

Hahn Man-young: "The Origin of Korean Music." the world of music 27, 1985(2):16-31.

Halliwell, Patrick: “Groupism and Individualism in Japanese Traditional Music.” the world of music 46, 2004(2):35-46.

Han Kuo-huang: "Titles and Program Notes in Chinese Musical Repertoires." the world of music 27, 1985(1):68-77.

Hanna, Judith Lynne.: “Aesthetics—Whose Notions of Appropriateness and Competency, What Are They and What Do We Know?” the world of music 45, 2003(3):29-55.

Hanna, Judith Lynne: "Is Dance Music? Resemblances and Relationships." the world of music 24, 1982(1):57-71.

Hanna Judith Lynne: "Towards Discovering the Universals of Dance." the world of music 26, 1984(2):88-103.

Hannan Michael: "Eastern Music and the Australian Composer." the world of music 20, 1978(2):103-5.

Hanneken, Bernhard: "Concepts and Contexts of the Tanz&FolkFest Rudolstadt." the world of music 43, 12001(2-3):31-47.

Hanneken, Bernhard: "Stadt Rudolstadt, Kulturdezernat "Tanz&FolkFest Rudolstadt (Member of the European Forum of Worldwide Music Festivals)." the world of music 41, 1999(3):179-80.

Harnish, David: "A Hermeneutical Arc in the Life of Balinese Musician, I Made Lebah." the world of music 43, 2001(1):21-41.

Harich-Schneider, Eta: "Dances and Songs of the Japanese Shintô Cult." the world of music 25, 1983(1):16-29.

Harrison, Frank: "Universals in Music: Towards a Methodology of Comparative Research." the world of music 19, 1977(1/2):30-42.

Harrison, Klisala: "The Kwagiulth Dancers: Addressing Intellectual Property Issues at Victoria’s First Peoples Festival." the world of music 44, 2002(1):137-51.

Harvey, Jane with Huip Schipper and Jop Bor: "International Society for Taditional Arts Research (ISTAR), Nederland." the world of music 31, 1989(1):117-9.

Harwood Dane L.: "Contributions from Psychology to Musical Universals." the world of music 21, 1979(1):48-64.

Haryadi, Frans: "Modern Music in Java." the world of music 20, 1978(2):100-2.

Heins Ernst: "An Introduction to Javanese Culture and Music." the world of music 20, 1978(2):86-8.

Helffer, Mireille: "The 'cham of Padmasambhava in the Monastery of Hemis (Ladakh)." the world of music 22, 1980(1):107-24.

Hemetek, Ursula: "Music of Minorities Between Exclusion and Ethnoboom. Intercultural Encounter in Austria." the world of music 43, 2001(2-3):139-52.

Hemetek, Ursula: "Šunen, Šunen, Romalen (Listen, Listen, Roma): Reception of Lovari Songs - A Cultural Misunderstanding?" the world of music 39, 1997(2):97-110.

Herndon, Marcia: "Insiders, Outsiders: Knowing our Limits, Limiting our Knowing." the world of music 35, 1993(1):63-80.

Hesselink, Nathan: “Music and Politics on the Korean Peninsula (Introduction).” the world of music 49, 2008(3):7-12.

Hickmann, Ellen: "Kontinuität und Wandel des südamerikanischen Musikinstrumentariums und des Musizierens im Bereich präkolumbischer Kulturen des Andenraums." the world of music 29, 1987(1):100-18.

Hirshberg, Jehoash: "Radical Discplacement, Post Migration Conditions and Traditional Music." the world of music 32, 1990(3):68-89.

Hirshberg, Jehoash and Margaret Seares: "The Displaced Musician - Transplantation and Compartmentalization." the world of music 35, 1993(3):3-34.

Hoefnagels, Anna: "Powwow Songs: Traveling Songs and Changing Protocol." the world of music 44, 2002(1):127-36.

Holmes, Ramona: “It’s a Girl Bonding Thing: Softball Set Cheers in the United States.” the world of music 45(1), 2003:119-32.

Holzapfel, Otto: "Deutsches Volksliedarchiv. Arbeitsstelle für Internationale Volksliedforschung." the world of music 35, 1993(3):124-106.

Hood, Mantle: "Historical Reconstructions for Ora1 Traditions of Music." the world of music 23, 1981(2):5-21.

Hood, Mantle: "Musical Dialogues." the world of music 29, 1987(1):3-7.

Hood, Mantle: "Universal Attributes of Music." the world of music 19, 1977(1/2):63-75.

Hout, Guy: "International Music Day: A Just Cause for Celebration." the world of music 27, 1985(2):96-9.

Howard, Keith: "Bands and Songs: Precedents for the Contemporary Confluence of Local and Popular Folk Music Styles in Korea." the world of music 28, 1986(2):14-26.

Howard, Keith: "Different Spheres: Perceptions of Traditional Music and Western Music in Korea." the world of music 39, 1997(2):61-8.

Howard, Keith; Miller, Terry E.; Nguyen, Phong T.; Tan, Hwee-San and Greene, Paul D.: “Buddhism and the Musical Cultures of Asia: A Critical Literature Survey.” the world of music 44, 2002(2):135-75.

Howard, Wayne: "Music and Accentuation in Vedic Literature." the world of music 24, 1982(3):23-34.

Howell, Mark: “Possible Prehispanic Music Survivals in the Rab’inal Achi.” the world of music 49, 2007(2): 105-38.

Huehns, Colin: "The Shaanxi Qinpai Erhu Tradition: Re-invention and Re-invigoration of a Folk Tradition." the world of music 42, 2000(3):93-119.

Hughes, David W.: "'Esashi Oiwake' and the Beginnings of Modern Japanese Folk Song." the world of music 34, 1992(1):35-56.

Hughes, David: "The Centre of Music Studies, School of Oriental and African Studies (SOAS), University of London." the world of music 33, 1991(3):112-4.

Hwang Byung-ki: "Some Notes on Korean Music and Aspects of its Aesthetics." the world of music 27, 1985(2):32-48.


I
Idema, W. L.: "Some Basic Characteristics of Traditional Chinese Society." the world of music 20, 1978(2):45-7.

Ishii, Maki: "Japan's 'Music of Encounter' - Historical Background and Present Role." the world of music 25, 1983(1):80-90.

Iteanu, André: "Masked Plays in Oceania." the world of music 23, 1981(3):26-36.


J
Jackson, Melveen: "Tiger Dance, terukuttu, Tango, and Tchaikovsky: A Politico-Cultural View of Indian South African Music Before 1948." the world of music 31, 1989(1):59-77.

Jargy, Simon: "The Folk Music of Syria and Lebanon." the world of music 20, 1978(1):79-93.

Jayaweera, Almut: “Vannamas: A Classical Dance Form and its Musical Structure.” the world of music 48, 2004(3):49-64.

Jenne, Michael: "Accepting What is Different - "New Perspectives in Music - New Tasks for Music Education." the world of music 29, 1987(2):98-103.

Jenne, Michael: "Foreign Musics in Education - Needs and Problems." the world of music 28, 1986(1):114-9.

Jenne, Michael: "Menuhin's Musical Cosmopolitanism." 28, 1986(3):124-6.

Jenne, Michael: "The Young Musician's Present Role: What Kind of Musician Do We Want?" the world of music 29, 1987(3):106-10.

Jerrentrup, Ansgar: "Gothic — Forms and Backgrounds." the world of music 42, 2000(1):25-50.

Jerrentrup, Ansgar: Hip hop: Origins, Characteristics and Creative Processes." the world of music 42, 2000(1):65-82.

Johnson, Henry: “To and From an Island Periphery: Tradition, Travel and Transforming Identity in the Music of Ogasawara, Japan.” the world of music 46, 2004(2):79-98.

Johnston, Thomas F.: "The Socio-Mythic Contexts of Music in Tlingit Shamanism and Potlatch Ceremonials." the world of music 34, 1992(2):43-71.


K
Kaden, Christian: "Cultural Diversity: A Challenge to the world of music." the world of music 31, 1989(2):114-42.

Kalmanovitch, Tanya: “Jazz and Karnatic Music: Intercultural Collaboration in Pedagogical Perspective,” the world of music 47, 2005(3):135-60.

Kárpáti, János: "Conceptual and Methodological Problems Involved in a Universal History of Music - 'European' Part." the world of music 22, 1980(3):5-18.

Kárpáti, János: "Non-European Influences on Occidental Music (A Historical Survey)." the world of music 22, 1980(2):20-37.

Kartomi, Margaret: “Meaning, Style and Change in Gamelan and Wayang Kulit Banjar Since Their Transplantation from Hindu-Buddhist Java to South Kalimantan.” the world of music 44, 2002(2):17-55.

Kartomi, Margaret J.: "Musical Improvisations by Children at Play." the world of music 33, 1991(3):53-65.

Kartomi, Margaret J.: "Muslim Music in West Sumatran Culture." the world of music 28, 1986(3):13-32.

Keister, Jay: “Seeking Authentic Experience: Spirituality in Western Appropriation of Asian Music,” the world of music 47, 2005(3):35-53.

Katamba, Francis & Peter Cooke: "Ssematimba ne Kikwabanga: The Music and Poetry of a Ganda Historical Song." the world of music 29, 1987(2):49-68.

Kazadi wa Mukuna: "The Changing Role of the Guitar in the Urban Music of Zaire." the world of music 36, 1994(2):62-72.

Keeling, Richard: "The Sources of Indian Music: an Introduction and Overview." the world of music 34, 1992(2):3-22.

Keillor, Elaine: "Amerindians at the Rodeos and Their Music." the world of music 44, 2002(1):75-94.

Kendal, Nezan: "Kurdish Music and Dance." the world of music 21, 1979(1):19-32.

Kertész-Wilkinson, Irén; Lysloff, René T. A.; Wong, Deborah; Lortat-Jacob, Bernard; Barz, Gregory F.; Cooley, Timothy J.: "Review Symposium: Shadows in the Field: New Perspectives for Fieldwork in Ethnomusicology, ed. Gregory F. Barz and Timothy J. Cooley." the world of music 40, 1998(3):181-199.

Keyes, Cheryl L.: “The Aesthetic Significance of African American Sound Culture and Its Impact on Popular Music Style and Industry.” the world of music 45, 2003(3):105-29.

Kim Jin-Hi: “Living Tones: On My Cross-cultural Dance-music Drama Dragon Bond Rite,” the world of music 45, 2003(2):127-31.

Kimberlin, Cynthia Tse: "What Am I To Be? Female, Male, Neuter, Invisible... Gender Role and Ethnomusicological Field Work in Africa." the world of music 33, 1991(2):14-34.

Kippen, James: "Tabla Drumming and the Human-Computer Interaction." the world of music 34, 1992(3):72-98.

Kirchert, Kay-Uwe: "Between Worlds: Reflections on Ritual in the Music of Giacinto Scelsi." the world of music 40, 1998(1):79-100.

Klotinš, Arnolds: “The Latvian Neo-folklore Movement and the Political Changes of the Late 20th Century.” the world of music 44(3), 2002:107-30.

Knight, Roderic C.: "Music Out of Africa: Mande Jaliya in Paris." the world of music 33, 1991(1):52-69.

Koen, Benjamin D. “The Spiritual Aesthetic in Badakhshani Devotional Music.” the world of music 45, 2003(3):77-90.

Köpping, Hans-Peter: "Ritual Transgression Between Primitivism and Surrealism: 'Tauromachia' and the Ethnographic Imagination." the world of music 40, 1998(1):17-36.

Koo Bonu: “Beyond ‘Cheap Imitations’,” the world of music 45, 2003(2):

Korguzalov, V. V. and A. D. Troitskaya: "The Phonogram Archive of the Institute for Russian Literature of the Russian Academy of Sciences, St. Petersburg." the world of music 35, 1993(1): 115-20.

Korom, Frank J.: "The Transformation of Language to Rhythm: The Hosay Drum of Trinidad." the world of music 36, 1994(3):68-85.

Koskoff, Ellen: "Thoughts on Universals in Music." the world of music 26, 1984(2):66-87.

Kothari, Sunil: "Symbolism in Indian Dance." the world of music 20, 1978(3):70-83.

Kothari, Sunil: "The Use of Masks in Indian Dances and Dance-Dramas." the world of music 22, 1980(1):89-106.

Kouwenhoven, Frank: "European Foundation for Chinese Music Research (CHIME), Leiden." the world of music 37, 1995(1):102-4.

Kovalcsik, Katalin: "Roma or Boyash Identity? The Music of the 'Ard'elan' Boyashes in Hungary." the world of music 38, 1996(1):77-94.

Kramer, Lawrence: “Music, Cultural Mixture, and the Aesthetic.” the world of music 45, 2003(3):11-22.

Kubik, Gerhard: "Embaire Xylophone Music of Samusiri Babalanda (Uganda 1968)." the world of music 34, 1992(1):57-84.

Kubik, Gerhard: "Musical Activities of Children Within the Eastern Angolan Culture Area." 29, 1987(3):5-27.

Kubik, Gerhard: "Stability and Change in African Musical Traditions." 28, 1986(1):44-69.

Kubik, Gerhard: "The Southern African Periphery: Banjo Traditions in Zambia and Malâwi." the world of music 31, 1989(1):3-30.

Kudelski, André, Daniélou, Alain & Claude Cellier: "A New Electronic Instrument for Musical Research: The S 52." the world of music 23, 1981(2):63-73.

Kurath, Gertrude Prokosch: "Masked Dances of Native North America." the world of music 23, 1981(3):58-68.

Kurath, Gertrude Prokosch: "Universals in Dance." the world of music 19, 1977(1/2):43-62.

Kurkela, Vesa: "Deregulation of Popular Music in the European Post-Communist Countries: Business, Identity, and Cultural Collage." the world of music 35, 1993(3):80-106.

Kurz, Tamara: "Der Tod und das Mädchen — Dramatic Expression of the Gothic Subculture in School Instruction." the world of music 42, 2000(1):137-47.

Kouvenhoven, Frank: “Transcribing ‘Time’ in Chinese Non-measured Songs,” the world of music 47, 2005(2):105-118.

Kwon, Ohsung: “The Re-formation of Traditional Folksongs in North Korea.” the world of music 49, 2008(3):107-118.


L
Lam, Joseph S. C.: "Transnational Understanding of Historical Music: State Sacrificial Music from the Southern Song, China (A.D. 1127-1279)." the world of music 38, 1996(2):69-84.

Lam, Joseph S. C.: "Writing Music Biographies of Historical East Asian Musicians: The Case of Jiang Kui (A.D. 1155-1221)." the world of music 43, 2001(1):69-95.

Lampton; Arthur and Guy Tunstill: "Aboriginal Music Students' Views on Aboriginal in Music Research." the world of music 36, 1994(1):21-40.

Lancashire, Terence: “The Kagura Dance: Variation and the Problem of Representation in Iwami Kagura. the world of music 46, 2004(2):47-78.

Lang, Istvan: "The State of Musics in the World Today: The Effect of the Recording Process on European Classical Music." the world of music 27, 1985(3):114-21.

Lange, Barbara Rose: "Hungarian Rom (Gypsy) Political Activism and the Development of Folklór Ensemble Music." the world of music 39, 1997(3):5-30.

Langenberg, Mechtild: "On Understanding Music Therapy: Free Musical Improvisation as a Method of Treatment." the world of music 39, 1997(1):97-110.

Langlois, Tony: "The Gnawa of Oujda: Music at the Margins in Morocco." the world of music 40, 1998(1):135-56.

Larco, Laura: "Encounters with the Huacas: Ritual Dialogue, Music and Healing in Northern Peru." the world of music 39, 1997(1):35-60.

Leante, Laura: “Shaping Diasporic Sounds: Identity as Meaning in Bhangra.” the world of music 46, 2004(1):109-32.

Lee Byong Won: "Evolution of the Role and Status of Korean Professional Female Entertainers (Kisaeng)." 21, 1979(2):75-84.

Lee Byong Won: "The Features of the Mahayana Buddhist Ritual Performing Arts of Rorea." 27, 1985(2):49-62.

Lee Byong Won: "Korean Court Music and Dance." the world of music 23, 1981(1):35-51.

Leeuw, Ton de: "Questions, Ideas and Expectations: Premises and Aims of an East-West Encounter." the world of music 20, 1978(2):19-33.

Leeuw, Ton de: "Ton de Leeuw's Composition 'Gending.'" the world of music 20, 1978(2):98-9.

Lemmon, Alfred E.: "Some Notes on Indian Masks in Guatemala." the world of music 24, 1982(2):66-79.

Lenk, Carsten: "Cultivated" Folk Music—More Invention Than Discovery? Appropriation and Mediation of Songs in East Bavaria. " the world of music 41, 1999(2):63-97.

Leroi, Armand M. and Jonathan Swire: “The Recovery of the Past.” the world of music 48, 2006(3):43-54.

Liang, David Mingyue: "The Artistic Symbolism of the Painted Faces is Chinese Opera: An Introduction." the world of music 22, 1980(1):72-88.

Liang, David Mingyue: "Performance Practice as a Recreative Process in Chinese Zheng Zither Music." the world of music 27, 1985(1):48-67.

Ligeti, Lukas: “On My Collaborations with Non-Western Musicians and the Influence of Technology in These Exchanges,” the world of music 45, 2003(2):137-41.

List, George: "Concerning the Concept of the Universal and Music." the world of music 26, 1984(2):40-9.

Liu, Marjory Bong-Ray: "Aesthetic Principles in Chinese Music." the world of music 27, 1985(1):19-32.

Lomax, Alan: "Universals in Song." the world of music 19, 1977(1/2):117-41.

Lortat-Jacob, Bernard: "Music as a Collective Enterprise: the Case of Berber Music of the High Atlas." the world of music 21, 1979(3):62-77.

Lortat-Jacob, Bernard; Barz, Gregory F.; Cooley, Timothy J.; Wong, Deborah; Lysloff, René T. A.; Kertész-Wilkinson, Irén: "Review Symposium: Shadows in the Field: New Perspectives for Fieldwork in Ethnomusicology, ed. Gregory F. Barz and Timothy J. Cooley." the world of music 40, 1998:181-200.

Lui Tsun-Yuen: "Introduction to the Traditional Music of China." the world of music 20, 1978(2):36-9.

Lundquist, Barbara Reeder: "Transmission of Music Culture in Formal Educational Institutions." the world of music 29, 1987(1):67-78.

Lysloff, René T. A.; Kertész-Wilkinson, Irén; Lortat-Jacob, Bernard; Barz, Gregory F.; Cooley, Timothy J.¸ Wong, Deborah: "Review Symposium: Shadows in the Field: New Perspectives for Fieldwork in Ethnomusicology, ed. Gregory F. Barz and Timothy J. Cooley." the world of music 40, 1998(3):181-199.

M
MacDonald, Nicole Revel: "Masks in Kalimantan Timur." the world of music 23, 1981(3):52-7.

Maceda, José: "Introduction to Philippine Music." the world of music 20, 1978(2):78-81.

Maceda, José: "The Music of the Flat Gongs." the world of music 20, 1978(2):82-5.

Maciszewski, Amelia: "Stories About Selves: Selected North Indian Women’s Musical (Auto)biographies." the world of music 43, 2001(1):139-72.

Magriel, Nicolas: “Visualising North Indian Music: Looking at Khyål Songs,” the world of music 47, 2005(2):119-36.

Magrini, Tullia: "The Group Dimension in Traditional Music." the world of music 31, 1989(2):52-79.

El Mahdi Salah: "A Few Notes on the History of Arabian Music." the world of music 20, 1978(1):5-16.

Maliangkay, Roald: “Their Masters’ Voice: Korean Traditional Music SPs (Standard Play Records) under Japanese Colonial Rule.” the world of music 49, 2008(3):53-74.

Malm, Joyce R.: "The World of Japanese Classical Dance." the world of music 25, 1983(1):70-9.

Malm, William P.: "Japanese Music: A Brief Survey." the world of music 20, 1978(2):64-8.

Malm, William P.: "Japanese Music and its Relations to Other Musical Traditions." the world of music 25, 1983(1):5-15.

Malm, William P.: "Music in Malaysia." the world of music 21, 1979(3):6-18.

Maniates, Maria Rika: "Musical Symbolism." the world of music 20, 1978(3):38-55.

Manigand, Marie Laure: "The International Music Collection at the National Sound Archive, London." the world of music 36, 1994(1): 116-9.

Marett, Allan: "Wangga: Socially Powerful Songs?" the world of music 36, 1994(1):67-81.

Marian-Balasa, Marin: "Romanian Ethnomusicologies: A Briefly Commented Bibliography of Academic Literature Published in International Languages." the world of music 43, 2001(2-3):259-304.

Marian-Bălaşa, Marin: “Who Actually Needs Transcription? Notes on the Modern Rise of a Method and the Postmodern Fall of an Ideology,” the world of music 47, 2005(2):5-29.

Marian-Bălaşa , Marin: “Ghizela/Gisela Suliţeanu: An Indicative Bio-Bibliography.” the world of music 48, 2006(2):151-61.

Marinitsch, Eric: "1961 - 1987: 25 Jahre IMZ. Internationales Forum für Musik und Medien." the world of music 28, 1986(3):117-23.

Markoff, Irene: "The Role of Expressive Culture in the Demystification of a Secret Sect of Islam: The Case of the Alevis of Turkey." the world of music 28, 1986(3):42-56.

Maroševiæ, Grozdana: "The Encounter Between Folklore Studies and Anthropology in Croatian Ethnomusicology." the world of music 40, 1998(3):51-82.

Martí, Josep: "Music and Ethnicity in Barcelona." the world of music 43, 2001(2-3):183-92.

Martí, Josep: "When Music Becomes Noise: Sound and Music That People in Barcelona Hear but Don't Want to Listen to." the world of music 39, 1997(2):9-18.

Martí i Pérez, Josep: "The Department of Musicology of the Institution Milà i Fontanals, C.S.I.C., Barcelona." the world of music 38, 1996(3):102-4.

Mas, Tjokorda Agung: "The Music of Bali." the world of music 20, 1978(2):95-7.

Mauerhofer, Alois: "Listening to Music: Attitudes of Contemporary Austrian Youth." the world of music 39, 1997(2):83-96.

Mayer, Günther: "The State of Musics in the World Today: The Role of the Electronic Media." the world of music 27, 1985(3):113-4.

Mbuyamba, Lupwishi: " Le département de musicologie et des arts du spectacle du Centre International des Civilisations Bantu." the world of music 29, 1987(2):84-6.

Mbuyamba, Lupwishi: "The State of Musics in the World Today: The Status of the Musician." the world of music 27, 1985(3):110-2.

McLean, Mervyn: "Approaches to Music History in Oceania." the world of music 22, 1980(3):46-55.

McLean, Mervyn: "Dance and Music Learning in Oceania." the world of music 32, 1990(2):5-28.

McLean, Mervyn: "Towards a Typology of Musical Change: Missionaries and Adjustive Response in Oceania." the world of music 28, 1986(1):29-43.

Meer, Wim van der: "The Influence of Social Change in Indian Music." the world of music 20, 1978(2):133-5.

Meer, Wim van der: “Visions of Hindustani Music,” the world of music 47, 2005(2):105-18.

Mel, Vasana K. De: “Ehkee maara baduwakne” (Isn’t She a Hot Item?): Contradictions and Controversy Facing Sri Lankan Women in Chorus Baila and Sinhala Pop Music.” the world of music 48, 2004(3):121-44.

Menon, Narayana: "The Language of Music." the world of music 24, 1982(1):3-34.

Mensink, Onno: "Gamelan Carabalen." the world of music 20, 1978(2):93-4.

Menuhin, Yehudi: "Music in the Education of Children." 19, 1977(3/4):153-65.

Menuhin, Yehudi: "On Tolerance." the world of music 28, 1986(3):127-9.

Messner, Gerald Florian: "Ethnomusicological Research, Another 'Performance' in the International Year of Indigenous Peoples?" the world of music 35, 1993(1):81-95.

Messner, Florian: "Jaap Kunst Revisited. Multipart Singing in Three East Florinese Villages Fifty Years Later: A Preliminary Investigation." the world of music 31, 1989(2):3-51.

Messner, Gerald Florian: "The Shark-Calling Ceremony in Paruai, New Ireland, Papua New Guinea." the world of music 32, 1990(1):49-84.

Michel, Andreas: "Changes in Central European Concepts of Folk Musical Instruments: Industrially Produced Zithers Without Fingerboards." the world of music 39, 1997(3):71-90.

Miller, Christopher J.: “Orchids (and Other Difficult Flowers) Revisited: A Reflection on Composing for Gamelan in North America,” the world of music 47, 2005(3):81-111.

Miller, Rebecca S.: ““Me ‘Ain Lie on Nobody!” Locality, Regionalism, and Identity at the Parang String Band Competition in Carriacou, Grenada.” the world of music 45(1), 2003:55-77.

Miller, Terry E.: "Kent State University, Hugh A. Glauser School of Music. Center for the Study of World Music." the world of music 33, 1991(2):117-9.

Miller, Terry E.; Nguyen, Phong T.; Tan, Hwee-San; Greene, Paul D. and Howard, Keith: “Buddhism and the Musical Cultures of Asia: A Critical Literature Survey.” the world of music 44, 2002(2):135-75.

Miner, Allyn: " The sitâr: an Overview of Change." the world of music 32, 1990(2):27-57.

Mittler, Barbara: “Cultural Revolution Model Works and the Politics of Modernization in China: An Analysis of Taking Tiger Mountain by Strategy,” the world of music 45, 2003(2):53-81.

Monson, Ingrid T. : "Forced Migration, Asymmetrical Power Relations and African-American Music: Reformulation of Cultural Meaning and Musical Form." the world of music 32, 1990(3):22-47.

Moyle, Richard M.: "The Polynesian Nose Flute." the world of music 32, 1990(1):29-48.

Muhambetova, Asiya I.: "The Traditional Musical Culture of Kazakhs in the Social Context of the 20th Century." the world of music 37, 1995(3):66-83.

Muktupavels, Valdis: “Musical Instruments in the Baltic Region: Historiography and Traditions.” the world of music 44(3), 2002:21-54.

Muller, Carol: “Reading” the Book, Performing the Words of Izihlabelelo zamaNazaretha,” the world of music 47, 2005(1):31-64.

Mundy, Rachel: “Musical Evolution and the Making of Hierarchy.” the world of music 48, 2006(3):13-27.

Mungie, Bill; Tunstill, Guy and Catherine J. Ellis: "Coming Together as One." the world of music 36, 1994(1):93-103.

Mutatkar, Sumati: "Form and Style in North Indian Music." the world of music 20, 1978(2):121-8.


N
Nakiene, Auste: “Ethnomusikologie am Institut der Litauischen Literatur und Folklore.” the world of music 44(3), 2002:166-8.

Nam, Sang-sook: “The Debate over the Distortion of Chongmyo Cheryeak.” the world of music 49, 2008(3):31-52.

Nannyonga-Tamusuza, Sylvia: “Competitions in School Festivals: A Process of Re-inventing Baakisimba Music and Dance of the Baganda (Uganda).” the world of music 45(1), 2003:97-118.

Nattiez, Jean-Jacques: "The Rekkukara of the Ainu (Japan) and the Katajjaq of the Inuit (Canada): A Comparison." the world of music 25, 1983(2):33-44.

Nattiez, Jean-Jacques: "Under What Conditions Can One Speak of the Universals of Music?" the world of music 19, 1977(1/2):92-116.

Nettl, Bruno: "Heartland Excursions: Exercises in Musical Ethnography." the world of music 34, 1992(1):8-34.

Nettl, Bruno: "History and Change in Blackfoot Indian Musical Culture and Thought." the world of music 28, 1986(1):70-86.

Nettl, Bruno: "On the Question of Universals." the world of music 19, 1977(1/2):2-13.

Nettl, Bruno: "Western Musical Values and the Character of Ethnomusicology." the world of music 26, 1984(1):29-43.

Nettl, Bruno: “Response to Victor Grauer: On the Concept of Evolution in the History of Ethnomusicology.” the world of music 48, 2006(2):59-72.

Neuenfeldt, Karl: "Notes on Old Instruments in New Contexts." the world of music 40,1998(2):5-8.

Neuenfeldt. Karl: " Good Vibrations? The 'Curious' Cases of the Didjeridu in Spectacle and Therapy in Australia." the world of music 40, 1998(2):29-52.

Neuenfeldt, Karl: "From Silence to Celebration: Indigenous Australian Performers at the Woodford Folk Festival." the world of music 43, 2001(2-3):65-91.

Neuenfeldt, Karl: "An Overview of Case Studies of Contemporary Native American Music in Canada, the United States of America and on the Web." the world of music 44, 2002(1):7-10.

Neuenfeldt, Karl: "www.nativeamericanmusic.com: Marketing Recordings in an Interconnected World." the world of music 44, 2002(1):115-26.

Neuenfeldt, Karl: “Notes on the Engagement of Indigenous Peoples with Recording Technology and Techniques, the Recording Industry and Researchers,” the world of music 49, 2007(1):7-21.

Neuenfeldt, Karl: “‘Bring the Past to Present’: Recording and Reviving Rotuman Music via a Collaborative Rotuman / Fijian/Australian CD Project,” the world of music 49, 2007(1):83-103.

Neumann, Friedrich: "The Roots of Hip hop: Origins, Characteristics and Creative Processes." the world of music 42, 2000(1):51-63.

Neumann, Gerhard: "Iphigenia: Sacrifice and Ritual in Drama." the world of music 40, 1998(1):101-18.

Nguyen, Phong T.: “Music and Movement in Vietnamese Buddhism.” the world of music 44, 2002(2):57-71.

Nguyen, Phong T.; Tan, Hwee-San; Greene, Paul D. ;Howard, Keith and Miller, Terry E.: “Buddhism and the Musical Cultures of Asia: A Critical Literature Survey.” the world of music 44, 2002(2):135-75.

Niles, Don: "The Conchshell Band as Preserver of German and Papua New Guinean Lutheran Traditions." the world of music 40, 1998:53-68.

Nketia, J.H. Kwabena: "The Aesthetic Dimension of Ethnomusicological Studies." the world of music 26, 1984(1):3-28.

Nketia, J.H. Kwabena: "Africa in the world of music." the world of music 22, 1980(3):19-28.

Nketia, J.H. Kwabena: "Integrating Objectivity and Experience in Ethnomusicologial Studies." the world of music 27, 1985(3):3-22.

Nketia, J.H. Kwabena: "The Juncture of the Socisl and the Musical: The Methodology of Cultural Analysis." the world of music 23, 1981(2):22-39.

Nketia, J.H. Kwabena: "The Performing Musicians in a Changing Society." the world of music 21, 1979(2):65-74.

Nketia, J.H. Kwabena: "Processes of Differentiation and Interdependency in African Music: The Case of Asante and Her Neighbours." the world of music 28, 1986(2):41-55.

Nketia, J.H. Kwabena: "Univeral Perspectives in Ethnomusicology." the world of music 26, 1984(2):3-24.

Nobre, Marlos: "Nouvelles perspectives de la musique: 'Le nouveau monde du compositeur.'" the world of music 29, 1987(1):118-25.

Norton, Barley: "Vietnamese Mediumship Rituals: The Musical Construction of the Spirits." the world of music 42, 2000(2):75-97.

Notosudirdjo, Franki S.: “Kyai Kanjeng: Islam and the Search for National Music in Indonesia,” the world of music 45, 2003(2):39-52.

Nürnberger, Marianne: “Vajira: The First Professional Female Stage Dancer in the Sinhalese Style.” the world of music 48, 2004(3):79-100.

Nylund, Heikki: "Syntactic Structures of North Indian Ragas." the world of music 25, 1983(2):45-57.

Nzewi, Meki: "The Department of Music, University of Nigeria, Nsukka." the world of music 34, 1992(1):129-30.


O
O'Brien, Linda L.: "Marimbas of Guatemala: The African Connection." the world of music 24, 1982(2):99-104.

Ojamaa, Triinu: “Throat Rasping: Problems of Visualisation,” the world of music 47, 2005(2):55-69.

Ojo, J.R.O.: "Masked Dances of the Yoruba Peoples." the world of music 23, 1981(3):37-51.

Olsen, Dale A. : “The Complementarity and Interdisciplinarity of Archaeomusicology: An Introduction to the Field and this Volume.” the world of music 49, 2007(2): 11-15.

Oras, Janika and Ergo-Hart Västrik: “Estonian Folklore Archives of the Estonian Literary Museum, Tartu, Estonia.” the world of music 44(3), 2002:153-6.

Ottosson, Åse: “‘We’re Just Bush Mob’: Producing Aboriginal Music and Maleness in a Central Australian Recording Studio,” the world of music 49, 2007(1):49-63



P
Pacholczyk, Józef M.: "Music and Islam in Indonesia." the world of music 28, 1986(3):3-12.

Pacholczyk, Józef M.: "The Relationship Between the Nawba of Morocco and the Music of the Troubadours and Trouvères." the world of music 25, 1983(2):5-16.

Pacholczyk, Józef M.: "Traditional Music of Kashmir." the world of music 21, 1979(3):50-61.

Palisca, Claude V.: "Current Trends in Historical Musicology." the world of music 19, 1977(3/4):134-52.

Park; Chan E.: “Poetics and Politics of Korean Oral Tradition in a Cross-cultural Context.” the world of music 45, 2003(3):91-103.

Pennanen, Risto Pekka: "All-Comprehending, United and Divine. The Myth of ilahija Hymns in Sarajevo." the world of music 36, 1994(3):49-67.

Petrovic, Ankica: "Sacred Sephardi Chants in Bosnia." the world of music 24, 1982(3):35-51.

Pettan, Svanibor: "Encounter with 'The Others' from Within: The Case of Gypsy Musicians in Former Yugoslavia." the world of music 43, 2001(2-3):119-37.

Pettan, Svanibor: "Gypsies, Music, and Politics in the Balkans: A Case Study from Kosovo." the world of music 38, 1996(1):33-62.

Pacini Hernandez, Deborah: "A View from the South: Spanish Caribbean Perspectives on World Beat." the world of music 35, 1993(2):48-69.

Petrovic, Ankica: "Perceptions of ganga." the world of music 37, 1995(2):60-71.

Pettan, Svanibor: Institute of Ethnology and Folklore Research (Zagreb, Croatia)." the world of music 39, 1997(3):127-9.

Pichard, Jean-François: "Interview with Simha Arom." the world of music 21, 1979(1):33-47.

Pimentel Díaz, Ángel Agustín: “Music Iconography of the Codex Nuttall.” the world of music 49, 2007(2): 81-90.

Pinto, Tiago de Oliveira: "'Art is Universal.' On Nationalism and Universality in the Music of Heitor Villa-Lobos." the world of music 29, 1987(2):104-16.

Pinto, Tiago de Oliveira: "'Making Ritual Drama:' Dance, Music, and Representation in Brazilian candomblé and umbanda." the world of music 33, 1991(1):70-88.

Pinto, Tiago de Oliveira: "The Healing Process as Musical Drama: Remarks on the Ebó Ceremony in Bahian candomblé (Brazil)." the world of music 39, 1997(1):11-34.

Poché, Christian: "David and the Ambiguity of the Mizmar According to Arab Sources." the world of music 25, 1983(2):58-75.

Poché, Christian: "Zikr and Musicology." the world of music 20, 1978(1):59-73.

Polak, Rainer: "A Musical Instrument Travels Around the World: Jenbe Playing in Bamako, West Africa, and Beyond." the world of music 42, 2000(3):7-46.

Provine, Robert C. : “Music, Measurements, Pitch Survivals, and Bell Shapes in Korea.” the world of music 49, 2008(3):13-30.

Provine, Robert C.: "Korean Music in Historical Perspective." the world of music 27, 1985(2):3-15.

Provine, Robert C.: "The Nature and Extent of Surviving Chinese Musical Influence on Korea." the world of music 29, 1987(2):5-18.

Q
Qin Wenchen: “On Diversity,” the world of music 45, 2003(2):143-6.


R
Racy, Ali Jihad: "Arabian Music and the Effects of Commercial Recording." the world of music 20, 1978(1):47-58.

Racy, Ali Jihad: "Creativity and Ambience: an Ecstatic Feedback Model from Arab Music." the world of music 33, 1991(3):7-28.

Racy, Ali Jihad: "Lebanese Laments: Grief, Music, and Cultural Values." the world of music 28, 1986(2):27-40. '

Rahaim, Matthew: "What Else Do We Say When We Say 'Music Evolves' the world of music 48, 2006(3): 29-41.

Rahn, John: "Ethnomusicological Approaches to Western Art Music: A Native Reflection." the world of music 29, 1987(1):9-18.

Ramsten, Märta: "The Swedish Centre for Folk Song and Folk Music Research." the world of music 32, 1990(3):100-2.

Radford, Katy: “Red, White, Blue, and Orange: An Exploration of Historically Bound Allegiances through Loyalist Song.” the world of music 46, 2004(1):71-89.

Rajapakse, Mangalika: “Songs Associated with Sri Lanka’s Paddy Cultivation: Music and Gender Aspects.” the world of music 48, 2004(3):37-48.

Rajapakse, Waidyawathie: “On the Origin of Sri Lankan Dancing: Between Spirit Beliefs and Great Tradition, Appeasement of the Gods, and Healing Methods.” the world of music 48, 2004(3):65-78.

Ramnarine, Tina K.: “Imperial Legacies and the Politics of Musical Creativity.” the world of music 46, 2004(1):91-108.

Ranade, Ashok D.: “Traditional Musics and Composition in the Indian Context,” the world of music 45, 2003(2):95-112.

Ranganathan, Thanjavur: "Rhythm in South Indian Music." the world of music 20, 1978(2):142-3.

Rasmussen, Anne K.: “The Arab Musical Aesthetic in Indonesian Islam,” the world of music 47, 2005(1):65-89.

Rawcliffe, Susan: “Eight West Mexican Flutes in the Fowler Museum.” the world of music 49, 2007(2): 45-65.

Rees, Helen: "He Yi’an’s Ninety Musical Years: Biography, History, and Experience in Southwest China." the world of music 43, 2001(1):43-67.

Reily, Suzel Ana: "Political Implications of Musical Performance." the world of music 37, 1995(2):72-102.

Rhein, Stefanie: "'Being a Fan is More than That' — Fan-Specific Involvement with Music." the world of music 42, 2000(1):95-109.

Reinhard, Kurt: "On the Problem of Content and Form in Music." the world of music 19, 1977(3/4):87-103.

Reyes Schramm, Adelaida: " Music and the Refugee Experience." the world of music 32, 1990(3):3-21.

Rivera, Isabel Aretz de Ramón: "Indigenous Music of Venezuela." the world of music 24, 1982(2):22-37.

Roccor, Bettina: "Heavy Metal: Forces of Unification and Fragmentation within a Musical Subculture." the world of music 42, 2000(1):83-94.

Rodriguez, Olavo Alén: "Centro de Investicación y Desarollo de la Música Cubana." the world of music 35, 1993(2):139-41.

Rörich, Mary: "Shebeens, Slumyards and Sophiatown. Black Women, Music and Cultural Change in Urban South Africa c 1920-1960." the world of music 31, 1989(1):78-104.

Romero, Raúl R.: "Aesthetics of Sound and Listening in the Andes: The Case of the Mantaro Valley." the world of music 41, 1999(1):53-8.

Romero, Raúl R.: "Archive of Traditional Andean Music. Riva-Aguero Institute of the Catholic University of Peru." the world of music 37, 1995(3):122-4.

Ronström, Owe: "Concerts and Festivals: Public Performances of Folk Music in Sweden." he world of music 43, 2001(2-3):49-64.

Ronström, Owe: "'I'm Old and I'm Proud!' Music, Dance and the Formation of a Cultural Identity Among Pensioners in Sweden." the world of music 36, 1994(3):5-30.

Ronström, Owe: "Revival Reconsidered." the world of music 38, 1996(3):5-20.

Roseman, Marina: "The Canned Sardine Spirit Takes the Mic." the world of music 42, 2000(2):115-36.

Rüütel, Ingrid: “Department of Ethnomusicology at the Estonian Literary Museum.” the world of music 44(3), 2002:156-9.

Rüütel, Ingrid: “Wedding Songs and Ceremonies of the Kihnu Island in Estonia.” the world of music 44(3), 2002:131-51.

Ruíz, Irma: "Instituto Nacional de Musicología 'Carlos Vega', Buenos Aires, Argentina." the world of music 36, 1994(3):123-5.

Russel, Ian: “Sacred and Secular: Identity, Style, and Performance in Two Singing Traditions from the Pennines.” the world of music 46, 2004(1):11-40.


S
Sachs, Nahoma: "The Facts of Death: An Anthropologist Views Musical Symbolism." the world of music 21, 1979(3):36-49.

Sakata, Hiromi Lorraine: "The Complementary Opposition of Music and Religion in Afghanistan." the world of music 28, 1986(3):33-41.

Sakata, Hiromi Lorraine: "The Sacred and the Profane: Qawwali Represented in the Performances of Nusrat Fateh Ali Khan." the world of music 36, 1994(3):86-99.

Sanchez, Julia L. J.: “Procession and Performance: Recreating Ritual Soundscapes among the Ancient Maya.” the world of music 49, 2007(2): 35-44.

Sanchez, Julia L. J. and Both, Arn Adje: “Preface.” the world of music 49, 2007(2):7-9.

Sánchez Santiago, Gonzalo: “An Introduction to the Music Cultures of Ancient Oaxaca: Sound Artifacts in the Archaeological Record.” the world of music 49, 2007(2): 67-79.

Santos Barbosa, Guilherme dos: "Capueira de Angola. A Personal View of a Capueira Master." the world of music 30, 1988(2):69-85.

Sasamori, Takefusa: "Therapeutic Rituals Performed by Itako (Japanese Blind Female Shamans)." the world of music 39, 1997(1):85-97.

Sass, Herbert: "Europa Cantat - Europäische Föderation Junger Chöre - Impulse für das internationale Chorwesen." the world of music 26, 1984(3):84-93.

Scales, Christopher A.: "The Politics and Aesthetics of Recording: A Comparative Canadian Case Study of Powwow and Contemporary Native American Music." the world of music 44, 2002(1):41-59.

Schipper, Huip with Bor, Jop and Jane Harvey : "International Society for Taditional Arts Research (ISTAR), Nederland." the world of music 31, 1989(1):117-9.

Schischlik, Alexander: International Federation of the Jeunesses Musicales: The Latin American Orchestra and the International Music Camps." the world of music 28, 1986(1):112-3.

Schischlik, Alexander: "Jeunesses Musicales and the International Youth Year." the world of music 27, 1985(1):106-10.

Schleifer, Eliyahu: "Current Trends of Liturgical Music in the Ashkenazi Synagogue." the world of music 37, 1995(1):59-72.

Schmidt, Cynthia: "An Interview with John Collins on Cultural Policy, Folklore and the Recording Industry in Ghana." the world of music 36, 1994(2):138-47.

Schmidt, Cynthia: "The Guitar in Africa: Issues and Research." the world of music 36, 1994(2):3-20.

Schneider, Marius: "The Birth of the Symbol in Music." the world of music 26, 1984(3):3-21.

Schneider, Marius: "On Gregorian Chant and the Human Voice." the world of music 24, 1982(2):3-22.

Schötz, Franz: "'Cultivated' and 'Non-cultivated' Folk Music: On Music-making Among Traditional Dance Musicians in Bavaria." the world of music 41, 1999(2):41-61.

Schomer, Karine: "The 'Âlhâ' Epic in Contemporary Performance." the world of music 32, 1990(2):58-80.

Schüller, Dietrich: "The Phonogrammarchiv of the Austrian Academy of Sciences." the world of music 29, 1987(1):87-91.

Schuyler, Philip D.: "Moroccan Andalusian Music." the world of music 20, 1978(1):33-46.

Schuyler, Philip D.: "Music and Meaning Among the Gnawa Religious Brotherhood of Morocco." the world of music 23, 1981(1):3-13.

Schuyler, Philip D.: "Music Education in Morocco: Three Models." the world of music 21, 1979(3):19-35.

Schuyler, Philip D.: "Rwais and Ahwash: Opposing Tendencies in Moroccan Berber Music and Society." the world of music 21, 1979(1):65-80.

Scruggs, T.M.: “(Re)Indigenization?: Post-Vatican II Catholic Ritual and ‘Folk Masses’ in Nicaragua,” the world of music 47, 2005(1):91-123.

Seares, Margaret and Jehoash Hirshberg: "The Displaced Musician - Transplantation and Compartmentalization." the world of music 35, 1993(3):3-34.

Seebass, Tilman: "Léopold Robert and Italian Folk Music." the world of music 30, 1988(3):59-84.

Seeger, Anthony: " The Indiana University Archives of Traditional Music." the world of music 29, 1987(3):95-8.

Seeger, Anthony: "The Smithsonian Institution Office of Folklife Programs, Washington, D.C., U.S.A.:" the world of music 31, 1989(2):152-4:

Seeger, Anthony: "Voices, Flutes, and Shamans in Brazil." the world of music 30, 1988(2):22-39.

Seifert, Manfred: "Functionality and Aesthetic: On the Structural Principles of Traditional Folk Music and Their Transformation in the Bavarian 'Cultivation' Movement." the world of music 41, 1999(2):13-93.

Sepp, Erich: "Der Bayerische Landesverein für Heimatpflege, e.V. / Bavarian State Association for the Preservation of Local Traditions, Munich:" the world of music 41, 1999(2):191-2.

Seroussi, Edwin: "Reconstructing Sephardi Music in the 20th Century: Isaac Levy and his 'Chants judeo-espagnols.'" the world of music 37, 1995(1):39-58.

Setti, Kilza: "Notes on Caiçara Musical Production: Music as the Focus of Cultural Resistance Among the Fishermen of the Coastal Region of Sao Paulo." the world of music 30, 1988(2):3-21.

Seyama, Toru: "The Re-contextualisation of the Shakuhachi (Syakuhati) and its Music From Traditional / Classical Into Modern / Popular." the world of music 40, 1998(2):69-84.

Shapiro, Anne Dhu: "A Critique of Current Research on Music and Gender." the world of music 33, 1991(2):5-13.

Sharvit, Uri: "Jewish Musical Culture - Past and Present." the world of music 37, 1995(1):3-17.

El-Shawan Castelo-Branco, Salwa: "Some Aspects of the Cassette Industry in Egypt." the world of music 29, 1987(2):32-48.

Shelemay, Kay Kaufman: "Mythologies and Realities in the Study of Jewish Music." the world of music 37, 1995(1):24-38.

Shelemay, Kay Kaufman: "Zemä: A Concept of Sacred Music in Ethiopia." the world of music 24, 1982(3):52-67.

Sherinian, Zoe: “The Indigenization of Tamil Christian Music: Musical Style and Liberation Theology,” the world of music 47, 2005(1):125-65.

Shiloah, Amnon: "The Symbolism of Music in the Kabbalistic Tradition." the world of music 20, 1978(3):56-69.

Shiloah, Amnon: "The Traditional Artist in the Limelight of the Modern City." the world of music 28, 1986(1):87-99.

Sieffert, René: "The Literary Sources of the Noh." the world of music 25, 1983(1):44-54.

Silverman, Carol: "Music and Power: Gender and Pcrformance among Roma (Gypsies) of Skopje, Macedonia." the world of music 38, 1996(1):63-76.

Simon, Artur: "The Eye of the Camera. On the Documentation and Interpretation of Music Cultures by Audiovisual Media." the world of music 31, 1989(3):38-55.

Simon, Artur: "The Department of Ethnomusicology at the Museum of Ethnography in Berlin." the world of music 32, 1990(2):113-6.

Sliužinskas. Rimantas: “Institute of Musicology, University of Klaip?da, Lithuania.” the world of music 44(3), 2002:168-9.

Slobin, Mark: "Ten Paradoxes and Four Dilemmas of Studying Jewish Music." the world of music 37, 1995(1):18-23.

Smith, Gordon E.: "Ernest Gagnon's 'Chansons populaires du Canada': Processes of 'Writing Culture.'" the world of music 37, 1995(3):36-65.

Smith, Gregory E.: "In Quest of a New Perspective on Improvised Jazz: A View from the Balkans." the world of music 33, 1991(3):29-52.

Sneibe, Zaiga: “The Collection of Folk Music in the Archives of Latvian Folklore.” the world of music 44(3), 2002:159-62.

Soedarsono: "Masks in Javanese Dance-Dramas." the world of music 22, 1980(1):5-22.

Song Bang-song: "Present State of Research on Korean Traditional Music." the world of music 27, 1985(2):63-77.

Sparshott, Francis: "Prospects for Aesthetics." the world of music 25, 1983(3):3-15.

Spiller, Henry: "Continuity in Sundanese Dance Drumming: Clues from the 1893 Chicago Exposition." the world of music 38, 1996(2):23-40.

Steszewski, Jan: "The State of Musics in the World Today: A Question of Values." the world of music 27, 1985(3):102-4.

Stewart, Rebecca: "North Indian Rhythm." the world of music 20, 1978(2):129-32.

Stillmann, Amy Ku'uleialoha: "Sound Evidence: Conceptual Stability, Social Maintenance and Changing; Performance Practices in Modern Hawaiian Hula Songs." the world of music 38, 1996(2):5-22.

Stipcevic, Ennio: "The Presence of the Past. The Earliest Musical Notations of Folk Music in Croatia." the world of music 40, 1998(3):9-24.

Stock, Jonathan P. J.: Ordering Performance, Leading People: Structuring an English Folk Music Session.” the world of music 46, 2004(1):41-70.

Stock, Jonathan: "The British Forum for Ethnomusicology." the world of music 40, 1998(2):1356.

Stock, Jonathan P. J.: "Toward an Ethnomusicology of the Individual, Or Biographical Writing in Ethnomusicology." the world of music 43, 2001(1):5-19.

Stock, Jonathan P. J.: “Clues from Our Present Peers?: A Response to Victor Grauer.” the world of music 48, 2006(2):73-91.

Stock, Jonathan P.J.: “Introduction.” the world of music 48, 2006(3):7-8.

Stockhausen, Karlheinz: "World Music." the world of music 21, 1979(1):3-16.

Stockmann, Erich: "Prologue: The International Institute for Traditional Music 1963-1993." the world of music 35, 1993(1):3-4.

Stockmann, Doris: "Universals in Aesthetic Valuation of Music?" the world of music 25, 1983(3):26-45.

Stöckli, Matthias: “Playing Music as a Domestic Activity? Interpretations of the Finds of Sound-producing Artifacts at Aguateca, El Petén, Guatemala.” the world of music 49, 2007(2): 17-33.

Stokes, Martin: "Music, Travel and Tourism: An Afterword." the world of music 41, 1999(3):141-55.

Stubington, Jill: "Yolngu manikay at Yirrkala: The Construction of a Research Field." the world of music 36, 1994(1):82-92.

Stuckenschmidt, Hans-Heinz: "Symbols and Symbolism in European Music." the world of music 20, 1978(3):3-9.

Sturman, Janet: "Movement Analysis as a Tool for Understanding Identity: Retentions, Borrowings, and Transformations in Native American Waila." the world of music 39, 1997(3):51-70.

Sturman, Janet: "The School of Music and Dance at the University of Arizona, Tucson, Arizona." the world of music 41, 1999(1):141-6.

Suchoff, Benjamin: "Ethnomusicological Roots of Béla Bartók's Musical Language." the world of music 29, 1987(1):43-65.

Sullivan, Lawrence E.: "Sacred Music and Sacred Time." the world of music 26, 1984(3):33-52.

Supicic, Ivo: "Aesthetics of Music - Particularity and Universality." the world of music 25, 1983(3):16-25.

Supicic, Ivo: "Sociology of Music and Ethnomusicology." the world of music 29, 1987(1):34-42.

Sur, Donald: "Introduction to the Classical Music of Korea." the world of music 20, 1978(2):53-6.

Suryabrata, Bernard: "Lecture-Demonstration of Javanese Music." the world of music 20, 1978(2):89-92.

Susilo, Hardja: "The Javanese Court Dance." 21, 1979(1):90-102.

Sutton, R. Anderson: "Commercial Cassette Recordings of Traditional Music in Java: Implications for Performers and Scholars." the world of music 27, 1985(3):23-45.

Sweers, Britta: „Preface: Contemporary British Music Traditions.“ the world of music 46, 2004(1):7-10.


T
Takahashi, Mitsu: "Great Expectations: Ethnomusicologists and Filmmakers Working Together." the world of music 31, 1989(3):86-97.

Takahashi Yûji: “Two Statements on Music,” the world of music 45, 2003(2):147-52.

Tamba, Akira: "Confluence of Spiritual and Aesthetic Research in Traditional Japanese Music." the world of music 25, 1983(1):30-43.

Tamba, Akira: "Symbolic Mesning of Cries in the Music of Noh." the world of music 20, 1978(3):107-19.

Tamba, Akira. The Use of Masks in the Nô Theatre." the world of music 22, 1980(1):39-52.

Tan, Hwee-San; Greene, Paul D.; Howard, Keith; Miller, Terry E. and Nguyen, Phong T.: “Buddhism and the Musical Cultures of Asia: A Critical Literature Survey.” the world of music 44, 2002(2):135-75.

Taylor, Stephen Andrew: “Ligeti, Africa and Polyrhythm,” the world of music 45, 2003(2):83-94.

Thedens, Hans-Hinrich: "'How Funny — I’m at a Folk Music Event and I Don’t Know a Soul Here!': Musicians and Audiences at the International Folk Music Festivals in Norway." the world of music 43, 2001(2-3):171-81.

Thedens, Hans-Hinrich: "The Norwegian Collection of Folk Music at the University of Oslo." the world of music 38, 1996(1):158-61.

Thompson, Barbara: "Flamenco: A Tradition in Evolution." the world of music 27, 1985(3):67-80.

Thornbury, Barbara E.: “Cultural Policy and Private Initiative: The Performing Arts at The Japan Society, New York.” the world of music 46, 2004(2):123-36.

Thrasher, Alan R.:"The Role of Music in Chinese Culture." the world of music 27, 1985(1):3-18.

Titon, Jeff Todd: "The Real Thing": Tourism, Authenticity and Pilgrimage Among the Old Regular Baptists at the 1997 Smithsonian Folklife Festival." the world of music 41, 1999(3):115-39.

Tolbert, Elizabeth: "Theories of Meaning and Music Cognition: An Ethnomusicological Approach." the world of music 34, 1992(3):7-21.

Topp Fargion, Janet: "The Role of Women in taarab in Zanzibar: an Historical Examination of a Process of 'Africanisation.'" the world of music 35, 1993(2):109-25.

Torff, Bruce and Lyle Davidson: "Situated Cognition in Music." the world of music 34, 1992(3):120-39.

Turino, Thomas: "The Mbira, Worldbeat, and the International Imagination." the world of music 40, 1998(2):85-106.

Touma, Habib Hassan: "The Fidjrí, a Major Vocal Form of the Bahrain Pearl-Divers." the world of music 19, 1977(3/4):121-33.

Touma, Habib Hassan: "Present State and Problems in the Study and Research of Arabian Music Heritage." the world of music 20, 1978(1):110-6.

Touma, Habib Hassan: "Purity of Musical Cultures, a Prerequisite of Musical Identities in Non-Western Music of the 1980's." the world of music 22, 1980(2):38-45.

Touma, Habib Hassan: "World History of Music - History of Arabian Music: A Study." the world of music 22, 1980(3):66-75.

Tracey, Andrew: "The International Library of African Music." the world of music 34, 1992(2):102-3.

Trân Quang Hai: "Vietnamese Music in Exile since 1975 and Musical Life in Vietnam since Perestroika." the world of music 43, 2001(2-3):103-12.

Trân Van Khê: "Buddhist Music in Eastern Asia." the world of music 26, 1984(3):22-32.

Trân Van Khê: "Chinese Music and Musical Traditions of Eastern Asia." the world of music 27, 1985(1):78-80.

Trân Van Khê: "For a Universal History of Music. What is Lacking in Present-Day 'Histories of Music.'" the world of music 22, 1980(3):29-95.

Trân Van Khê: "Is the Pentatonic Universal? A Few Reflections on Pentatonism." the world of music 19, 1977(1/2):76-91.

Trân Van Khê: "Present and Future Preservation and Presentation of Traditional Music and Dance." the world of music 19, 1977(3/4):62-86.

Trân Van Khê: "The Traditional Musical Performers and Creativity in the Countries of Asia." the world of music 21, 1979(2):5-17.

Trân Van Khê: "Vietnamese Culture and Music." the world of music 20, 1978(2):48-52.

Trân Van Khê & anon.: "'Music in the Life of Man' - Two Country Profiles: I. Czechoslovakia, II. Viêt-Nam." the world of music 28, 1986(2):102-25.

Treitler, Leo: "Medieval Improvisation." the world of music 33, 1991(3):66-91.

Troitskaya, A. D. and V. V. Korguzalov: "The Phonogram Archive of the Institute for Russian Literature of the Russian Academy of Sciences, St. Petersburg." the world of music 35, 1993(1): 115-20.

Tsai, Tsan-Huang: “Is the Wind, the Banner, or the Mind Moving? The Concept of Body in Chinese Han Buddhist Ritual Performance and Its Musical Practices.” the world of music 44, 2002(2):73-92.

Tsuge Gen'ichi: "Bamboo, Silk, Dragon and Phoenix: Symbolism in the Musical Instruments of Asia." the world of music 20, 1978(3):10-23.

Tsuge Gen'ichi: "Notation in Persian Music." the world of music 20, 1978(2):119-20.

Tsuge Gen'ichi: "Raiment of Traditional Japanese Musicians - Its Social and Musical Significance." the world of music 25, 1983(1):55-69.

Tunstill, Guy and Arthur Lampton: "Aboriginal Music Students' Views on Aboriginal in Music Research." the world of music 36, 1994(1):21-40.


U
Urbanaviciene, Dalia: "Lithuanian Academy of Music, Institute of Musicology, Ethnomusicology Section." the world of music 38, 1996(23):106-10.

Utz, Christian: “Beyond Cultural Representation: Recent Works for the Asian Mouth Organs Shō and Sheng by Western Composers,” the world of music 47, 2005(3):113-34.

Utz, Christian: “Listening Attentively to Cultural Fragmentation: Tradition and Composition in Works by East Asian Composers,” the world of music 45, 2003(2):7-38.

V
Vandor, Ivan: "The Music in the Tibetan Traditional Society." the world of music 21, 1979(2):39-45.

Vandor, Ivan: "The Role of Music in the Education of Man: Orient and Occident." the world of music 22, 1980(2):11-9.

Vaughn, Kathryn: "Experimental Ethnomusicology: A Perceptual Basis for Jairazbhoy's Circle of thât." the world of music 34, 1992(3):99-119.

Vazanová-Horaková, Jadranka: "Transformation of Folk Music Traditions in the Villages Around Bratislava, Slovakia." the world of music 38, 1996(3):37-50.

Vissel, Anu: “Estonian Herding Songs from the Perspective of Ethnic Relations.” the world of music 44(3), 2002:79-105.

Viswanathan, Thanjavur: "Improvisation in South Indian Music." the world of music 20, 1978(2):140-l.

Vos, F.: "Background to Japanese Culture." the world of music 20, 1978(2):61-3.

Vyciniene, Daiva: “Lithuanian Schwebungsdiaphonie and its South and East European Parallels.” the world of music 44(3), 2002:55-77.


W
Wachsmann, Klaus: "Applying Ethnomusicological Methods to Western Art Music." the world of music 23, 1981(2):74-88.

Wade, Bonnie C.: "Performing the Drone in Hindustani Classical Music: What Mughhal Paintings Show Us to Hear." the world of music 38, 1996(2):41-68.

Wade, Bonnie C. "The Meeting of Musical Cultures in the 16th-Century Court of the Mughal Akbar." the world of music 32, 1990(2):3-26.

Wallin, Nils L.: "Pitch Perception as Expression for Exogene and Endogene Coordinated Oscillations." the world of music 25,1983(3):46-64.

Wallin, Nils L.: "The State of Musics in the World Today: The Present Soundscape and its Possible Implications on Musical Perception, Affecting the Role of Music and the Users of Music." the world of music 27, 1985(3):104-10.

Waterhouse, David: "Woodcut Prints by Suzuki Harunobu as a Source for the History of Japanese Dance. the world of music 30, 1988(3):85-107.

Watt, Martin and Jeanne Zaidel-Rudolph: “Musical Symbiosis in Jeanne Zaidel-Rudolph’s Lifecycle.” the world of music 48, 2006(2):135-50.

Wax, Johannes: "On Current Urban Dance Life In and Around Regensburg." the world of music 41, 1999(2):137-58.

Wegner, Ulrich: "Transmitting the Divine Revelation: Some Aspects of Textualism and Textual Variability in Qur'ânic Recitation." the world of music 28, 1986(3):57-78.

Wicke, Peter: "Research Center for Popular Music (Forschungszentrum für Populäre Musik), Humboldt University, Berlin." the world of music 39, 1997(2):153-5.

Widdess, Richard: "The Geography of râga in Ancient India." the world of music 35, 1993(3):35-50.

Wild, Stephen: "Reflections on Field Research in Aboriginal Australia: Central Australia and Arnhem Land." the world of music 36, 1994(1):51-58.

Will, Udo: "Tradition Versus Science? Reflections on Interactions and Responsibilities." the world of music 36, 1994(1):59-65.

Williams, Sean: “Competing Against ‘Tradition’ in the Sundanese Performing Arts.” the world of music 45(1), 2003:79-95.

Witzleben, J. Lawrence: "Musical Systems and Inter-genre Relationships in Hong Kong." the world of music 42, 2000(3):79-92.

Woebs, Raphael & Becker, Tim: "'Back to the Future‘: Hearing, Rituality and Techno." the world of music 41, 1999(1):59-71.

Wong, Deborah: "Taiko and the Asian/American Body: Drums, Rising Sun, and the Question of Gender." the world of music 42, 2000(3):67-78.

Wong, Deborah; Lysloff, René T. A.; Kertész-Wilkinson, Irén; Lortat-Jacob, Bernard; Barz, Gregory F.; Cooley, Timothy J.: "Review Symposium: Shadows in the Field: New Perspectives for Fieldwork in Ethnomusicology, ed. Gregory F. Barz and Timothy J. Cooley." the world of music 40, 1998(3):181-199.


Y
Yang Ling: "China Recovers Her Past in Folk Song - A Report." the world of music 26, 1984(1):44-50.

Yang Ling: "Music and Dance Performance with China's Oldest Musical Instruments - A Report from the People's Republic of China." the world of music 27, 1985(1):91-5.

Yang Mu: "On Musical Instruments of the Li Poeple of Hainan (China)." the world of music 39, 1997(3):91-112.

Yun, Isang: "The Contemporary Composer and Traditional Music." the world of music 20, 1978(2):57-60.


Z
Zaidel-Rudolph, Jeanne and Martin Watt: “Musical Symbiosis in Jeanne Zaidel-Rudolph’s Lifecycle.” the world of music 48, 2006(2):135-50.

Zanten, Wim van: "Inner and Outer Voices: Listening and Hearing in West-Java." the world of music 39, 1997(2):41-50.

Zemp, Hugo: "Filming Voice Techique: The Making of 'The Song of Harmonics.'" the world of music 31, 1989:56-85.

Zebec, Tvrtko: "Glagolitic Priests as Leaders of Chain-Round Dances on the Island of Krk." the world of music 40, 1998(3):83-98

Zenck, Martin: "Ritual or Imaginary Ethnography in Stravinsky's Le sacre du printemps." the world of music 40, 1998(1):61-78.

Zenck, Martin: "Ritual Self-Staging in Everyday Life and in Music Theater. A Comparison of the Turning Points in History Around the Years 1900 and 2000." the world of music 40, 1998(1):7-16.

Zheng, Su de San: "Music and Migration: Chinese American Traditional Music in New York City." the world of music 32, 1990(3):48-67.

Max Peter Baumann
last revision: Thursday, March 30, 2006
the world of music
University of Bamberg, Ethnomusicology